Spontaneous Records

Paintings, which or where it starts or ends I cannot place on the perceptive dimension and if these embody an action, reach a documentary dimension since they carry a certain moment or moments on them. To put it into a more realistic expression, if there are documentary qualities in the concrete emphasis, why not the same exist in the abstract emphasis? It naturally does. So is Nur`s paintings which are born by establishing close connections with moment and moments. Especially in her artistic character, spontaneous processes are always there. So, while “spontaneous instincts” and “expression” contribute to the formation of paintings, the completed form of the paintings is nothing but a “record”. 

Özkan Eroğlu
 Küçükyalı – March 1999